CONSTRUCTION : DEVELOPING OUR IDENT

These four image shows our development through the making of our Ident.  When making our Ident we originally had the idea of having Emily having her finger over her mouth, making a hush sound and looking directly at the camera. We thought this was a great image as it builds up Emily's mysterious,dark character. We also make the video in black and white creates the audience to immerse into the actual image rather the colour distracting the audiences away from the meaning behind the picture.

  

We created the Ident for our film and named the production studio 'No Name Productions.' The last take of Emily hushing gives a sense that Emily is over watching everything, this convention is shown though the effect of the CCTV camera, which creates a sinister tone. For our last take, we used Giphy to allow us to use the Glitch filter which makes our production name jut back and forth adding an eerie and menacing setting. 

However, then we had difficulties when trying to download this GIF, we were unable to do this. We then adapted and used 'QuickTime' to screen record our GIF. QuickTime was an easy and useful software to allow us to produce our final Ident. We then moved all three takes into 'Final Cut Pro', this is where we composed the three clips together making this a smooth transitions of shots. 

FINAL IDENT 

PLANNING : HOT SEATING - GARY

HOT SEATING 

We made another Hot Seating for our character 'Gary'. We wanted to further develop this character because he has an interesting and in-depth background of being a War Photographer. Gary having this previous job has created challenges for himself to come over, however he does not help himself as he blocks everyone out. Gary's personality have shown through his blunt and emotionless character by not having a huge amount to say about his own daughters. We did a simple Q&A which is hugely effective to give an insight into the reality. 

We gave Gary questions to answer about his family especially his two daughters and his response showed a clear difference between the two.  He expressed his favoritism towards Emily and the lack of for Alice showing an evident divide within the family dynamics. This has been evident when asked about Emily he says 'better' and that she is more of a 'success' and when Alice is mentioned he is more cold and blunt. 

The last questions asks about his previous job and Gary shows a clear hatred towards this and snaps and becomes very angry when he is asked further about his previous job. This suggests that being a War photographer has mentally effected him year later. 

Behind the scenes 


We shot out Hot Seating on a Canon 370 as well as a Tripod, which gave us the accurate height at the eye level of Gary. This makes the conversation between the interviewer and Gary more personal giving a realistic feel which produces useful insight into the character. The location of this hot seating was in my Dads study which includes a desk, harsh lighting and pieces of scrap paper, this setting will allow the character come to life to show his hard working and emotionless presence shown by the dark room. Gary is also presented in a suit that he wears daily which also shows his importance in his job within the big central city of London. 

PLANNING: CHARACTER DEVELOPMENT - GARY

This post will contain detail for our father role in our up-coming short film. The character, 'Gary' has a hard hitting past of being a war photographer, catching moment he may not wanted to have seen. Within these images, they can express the story behind each photograph that connotes a whole moment in history. Within one simple image a wave of emotion can follow impacting the audiences. 

We have used many sources of previous photographers to express their work and their experiences, such as the website Newseum, content of current winners of the Pulitzer Prize as well as war photographs, a YouTube video of Chris Beale who is a former photographer. 

                  

Newseum is one of the oldest and the most prestigious photojournalism programs and competitions in the world. Each year they organise an award, 'Photo of the Year' which recognises excellence in photojournalism, multimedia and visual editing.

Newseum also explored different aspects of the current affairs to educate younger adolescence. The main objective that Newsum want to spread is freedom, and that the role of a free press in major events in history, and how the core freedoms of the First Amendment : religion, speech, press, assembly and petition, apply to their lives.

Newseum has kept up-to date by hosting this award many years running as well as keeping the website up to date by containing many visuals and links they can use to provide information about Newseum; for an example, they have made a YouTube video announcing the new Pulitzer Prize Winner.

2017 Pulitzer Prize Winner 2017.

I have chosen the Pulitzer Prize Winner 2017, because of the realistic touch to the photograph which almost acts to be alive. The emotion behind this is immense. The contrast between the young who's laying still with a tear rolling down his face, looking hopeless; whilst the rushed doctor is panicking to help this child. The effects of the photo being in black and white impacts the emotion behind the photo it will make the shape, lines and textures prominent.

1. The Dead of Antietam (1862)

This war photograph is very well known as the shocking image of 70 shot soldiers are dead in the field. Andrew Gardener reflected the reality of the Civil War expressing the huge impact it had. It was hugely shocking to the public as it is the first time dead soldiers had been photographed on a battlefield. It was when Gardner later put them on display in New York City, the horrors of the Civil War, which before had only been seen in paintings, finally became apparent to Americans. This image was a huge eye-opener to the public. Photographs can have a voice to express the reality of situation as well to display the emotion. 

Chris Beale- July 2018 

Chris Beale throughout this You tube video expressed the experiences of the lives of the Rohingya people from Myanmar and their struggle to survive as refugees in Bangladesh. Beale described his time spent documenting the refugee crisis as it unfolded in Myanmar and Bangladesh as well as the current situation in these two countries. Chris Beale has experienced life first handily as a photographer. This video will help provide information for own production and relating it to own character, 'Gary'. Beale allows us to gain a greater understanding of his insight and how his characteristics can be used in Gary's personality.

PLANNING : CHARACTER DEVELOPMENT - ALICE AND EMILY

Hot Seating 

We made a Hot Seating to develop our Protagonist, Alice and her sister Emily. We filmed this on a Canon 370 using a Tri-pod to give a good balance and angle. We also used Final Cut Pro to edit the clips together as well as adding Cross Dissolves to make the transitions as smooth as they can be. We have made a Hot Seating to give further knowledge on the characters personalities this will hugely entice the audiences in.  A hot-seating will help the actresses become more familiar with their role. We asked more personal questions to make the actresses consider the characters more in depth. 

We used the two sisters to show the contrast between the two even though they are family. Emily comes across to be the star of the family, the girl who can't do wrong even though she has a sharp and snappy tone to life. Where as Alice has a soft side and wants to please everyone even though she isn't happy herself. The bitterness between the two sisters adds more depth into the average family's relationship. 

We also have used minute details such as Alice fidgeting with her hands and her rings to show her anxiousness and unsettling feel towards the counselling session, as well as her scrunched up posture to cover her insecurities. Where as Emily has a bolder appearance with a more open and relaxed character to show her bold personality this is shown by her confidence through her open body language. 

PLANNING : PROP LIST

Creating a props list is very helpful as it makes it clear on what all of us need to buy, have and bring to the filming sessions and what to include in our short film. Adding props in make a scene feel more authentic or help actors play their role more adequately. Even though our props are small they add a realistic element to our film. As we are filming in a house we need to make it as homely as we can which props will help immensely. 

The props I am going to need include:

• Family Photo
• Mug
• Alarm Clock
• TV
• Other photos of friends and family on desk

PLANNING : RISK ASSESSMENT

For our Risk Assessment, we have grouped together dangerous hazard that we believe can cause a greater risk when filming. We have identified the hazard and justified strategies to reduce the hazard. Finally we added if it was a low or high risk. With this analysis this will give us a full picture on what we may expect and can prepare ourselves for.

• Danger coming from falls or slips - Tripping over objects on the ground and injuring yourself. We can reduce the risk of this occurring by wearing appropriate footwear and being cautious. This is a very low risk level 

• Weather - When filming outside we need to be prepared for all types of weather. As well as to wear appropriate clothing to prevent being cold. We can prevent this by planning ahead and checking the weather a day or couple hours before. This is a low risk level

• Making our way to destination - Making sure that roads are clear to prevent any danger from oncoming vehicles. We can prepare and be safe for this by checking every time we cross a road by looking both ways before walking out. Low risk level

PLANNING : CALL SHEET

Planning: Call sheet 1

MEDIA STUDIES CALL SHEET FOR SILENT VOICES

Shoot date: 11^th and 12^th January 2020

Location: Home of cast members GC and CC

Crew: RB, GC and CC (all phone numbers and emails have been exchanged)

Camera Equipment:

- Manfrotto Tri-pod

- Battery

- Camera bag and protective lenses

Lighting equipment:

- Flood Light

Props:

- Photo

- Tea mug

Wardrobe for GC: Comfy/pyjama clothes, casual day to day clothing
Wardrobe for RB: Pyjamas, casual day to day clothing